SHINING «ONE ONE ONE» – NEW ALBUM OUT NOW

Shining’s new album and third edition to the blackjazz trilogy, “One One One”, is out now! 

Get the new masterpiece here:

SHINING.INDIERECORDINGS.NO

“One One One” is available as a digipack containing a 20 page booklet filled with lyrics and artwork designed by famous designer duo Trine+Kim (Enslaved, Solefald, Mayhem, Drakthrone). Get the full story behind the cover art HERE!

A commentary version of “One One One” with comments by saxophone superman and Shining front man, Jørgen Munkeby, is now available digitally. Check it out on iTunes.

„One One One“ has already gained some splendid reviews and was voted “Best Album Of The Week” in Revolver Magazine in an online poll, with 48% of the total votes, blaring past bands such as Alice In Chains, Kylesa and TesseracT.

“I’m ravenous for Shining; it’s uncontrollable.”

– UR Chicago, Rating 5/5

„Shining continue their winning streak“

– MetalSucks.net

 

„it’s simply fascinating and certainly never boring“

– 10/10 Slam Magazine

„One One One“ is a devilishly groovy collection of hard-hitting metal.“

– Zillo

„If you liked „Blackjazz“, you will love „One One One“

– 4/5 Metalnews

„Metal that stands out – many well-known (and beloved) metal elements teams up with the real genre enemy, jazz … and they play so well together … “

– 85/100 Cd tests

„Shining plays with breathtaking virtuosity and proves once again to be a unique band“

– 85/100 Aardschok Magazine

 

One One One was written by the father of Blackjazz, Jørgen Munkeby, in studios in Los Angeles and in his own studio in Oslo over the course of twelve months. The album was mixed and co-produced by Sean Beavan (Nine Inch Nails, Marilyn Manson, Slayer, No Doubt, 8mm), who also co-produced the album, and Tom Baker did the mastering. Both gentlemen also worked on Blackjazz and Live Blackjazz, and they brought with them the band’s signature sound.

Munkeby comments: “When writing the songs for One One One, I aimed at getting each and every song to sound their absolute best, and to be strong enough to stand alone. A series of ones, which is also where the album title comes from”, says Munkeby while adding: “But as a huge fan of the longer forms of music, where the whole album or symphony is just as important as the bits it is made from, we never strayed away from focusing on the totality of the album. I really feel we’ve managed to successfully combine these two aspects.”

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